The notable thing about homosexuality in the 18 th century was the fact that it shifted from an action to an identity. This will be followed by a second post which looks more closely at the relationship between homoeroticism, fine art and connoisseurship in the eighteenth century. In this first blog post, we’ll look broadly at male sexuality in the context of popular culture, particularly fashion and the theatre. Using these objects as a starting point, I’m going to give you an overview of how male homosexuality, effeminacy and so-called sexual deviancy were practiced and perceived in this period. What I want to show you here is a selection of objects in our collection which represent the changing attitude towards male sexuality throughout the eighteenth century, taking a roughly chronological view of the most important shifts and themes. ![]() While in 1700, there was a certain amount of tolerance for effeminacy, and for bisexuality, by 1800 the understanding of what it meant to be a man was considerably more rigid, closely policed, and what we might call ‘heteronormative’ – treating heterosexual desire, and the presentation of that desire, as the default mode of being. In terms of gender identity and masculine expression, the eighteenth century was an important time of transition.
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